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Joseph F. Lizzadro, Sr. (1898-1972) holds 675 carat Blue Topaz.


Meade Electric Company 1921

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Lake Superior Agate

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The little hanging jade vase that started it all remains on permanent display and has become the Museum’s logo.

In the late 1930’s Joseph Lizzadro acquired his first Chinese jade carving.

It was impossible for the lapidary hobbyist to obtain rough jadeite during this time; consequently, many carvings were destroyed for the sake of the hobby. Mr. Lizzadro’s respect for the carver’s ability overwhelmed his desire to change the carving into something of his own making; thus, the Lizzadro Collection was born.

About the Museum

Cobbler to Chairman of the Board

Joseph Lizzadro arrived in the United States from his native Italy in the early 1900s. He traveled with his father, a shoemaker, who set up a cobbler’s shop in Chicago, Illinois. Young Joseph worked in the cobbler shop and attended school. He learned English and became a U.S. citizen. His father soon brought the rest of his family to the United States.

In 1916, Joseph took a job with Meade Electric Company as a laborer and began what would become a life-long career in electrical contracting. Meade operated a retail appliance store and converted gas lighting to electric.

Through hard work and dedication, Joseph was promoted and became a company stockholder. After the death of the company’s founder in 1929, Joseph rose to Chairman of the Board of Meade Electric.

Business and Family Man

Joseph married Mary Sandretto (1910-2001) in 1932. Mary was born in the Keweenaw Peninsula of Upper Michigan, known as the Copper Country. Joseph and Mary had six children. The growing family moved from Maywood to Elmhurst, Illinois, in 1939.

Joseph enjoyed family trips to the Keweenaw and began collecting stones there, typically Lake Superior agate, thomsonite, and datolite. He cut and polished them, making jewelry for friends and family.

At work in the early 1940s, Joseph noted the poor condition of traffic signals in Northeastern Illinois and, in his enterprising fashion, proposed to maintain them for the state. Officials accepted his offer and more state contracts followed for street lighting systems and storm water pumping stations. With these and other contracts with steel and oil companies, Meade Electric prospered and so did Joseph.

Lapidary Collector

Joseph gained appreciation for the unique characteristics of the mineral world as a lapidary hobbyist and collector. He especially loved to cut and polish jade. Joseph acquired his first Chinese jade carving (see photo at left), a small hanging vase, in the late 1930s, intending to cut it into pieces for jewelry.

At that time, it was nearly impossible for lapidary hobbyists to obtain rough jade. Carvings, which were plentiful and fairly inexpensive, were often purchased and fashioned into something new for the sake of the hobby. Joseph’s respect for the original carver’s ability overwhelmed his desire to recut the jade. Thus, the Lizzadro Collection began.

Joseph added other carvings to his collection and also items of amber, ivory, coral, agate, and gemstones. As his collection grew, his dream was to display the beauty of stone and share it with others.

Through an agreement with the City of Elmhurst and Elmhurst Park District, Joseph built his museum in the Wilder Park. His dream was realized on November 4, 1962, when the Lizzadro Museum of Lapidary Art opened its doors to the public. Joseph continued to collect beautiful works of lapidary art until his death in 1972.

Learn More

More information on the museum's collection and lapidary related articles and publications are available online through the museum gift shop.

Affiliations

The museum maintains affiliations with the following organizations: Support for the museum comes from:
SI
Smithsonian Affiliations
AAm

American Association of Museums
iam
Illinois Association of Museums
cac
Clean Air Counts
elmhurst
City of Elmhurst Community
Grants & Programs
DuPage foundation
DuPage Community Foundation
IAC
Illinois Arts Council
Individual and Corporate Contributions and Museum members.

 

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